One of a Kind Offerings from the Fire


AUTHENTICALLY made using wild materials and practices.  

Click on photos for an enlarged view.  Items SOLD have RED text but remain posted for reference.   


Place orders through the "Contacts" page, using the product #.   Additional purchasing arrangements will be made by email.

Sales tax, shipping and insurance will be added when applicable.  All "one of a kind" pieces come with a Letter of Certification, listing materials used, photo of original is applicable as well as time period, manufacturing processes, etc. 

If you're curious about some of the attributes involved in price determination, read July 2015 article "What's it worth?" in the News tab.


Pieces not for use with food.  All pieces made with authentic practises and materials.  Over time pieces may darken slightly due to the absorption of airborne particles and pollutants, just like the ancient ones.

Ancestral Puebloan Pottery 

Fresh from the Fire - Redwares - Spring 2021

Deadman Black-on-Red bowl

#351 Deadmans Black-on-Red Bowl, 900-1050 A.D.


The two arcing lines, running through the center of the bowl, create an eye shaped negative space, iconic to this type. The "Z" motif dangles from the rim on opposing sides. Beautiful Red/Orange slip with a nice shine.  8.5" x 3.25"  




#352 Tusayan Black-on-Red Bowl, 1050-1200 A.D.

Reference: Online Auction  

The asymmetrical saw tooth design, wanders it's way throughout the bowl's interior, possibly mimicing or predating Gallup or Chaco B/W. Question: Is your eye drawn to the positive or the negative space? Slip is from the Chinle formation with wild manganese paint. Beautiful color. 

7.75" x 3.5"



#353 Tusayan Black-on-Red Jar, 1050-1200 A.D.

Reference: Online photo

Love this small jar with it's haphazard interlocking step pattern. I let the lines wander where they may.  Not because I can't make them perfect, but it's not what is meant to be. This piece has a shine!  Rock polished and yucca brushed manganese paint. Just a handful but what an eye catcher.   4.5" x 4"



#354 Deadmans Black-on-Red Seed Jar, 900-1050 A.D.  

Reference: Online auction

Finding "their" mineral paint, while hiking the backcountry of Utah, is fun but so experimental. Love the slight undertones of lavender in this paint. Spinning flags and a nearly pointed bottom make this piece perfectly balanced and unique.     7" x 3.25"  

SOLD ($285)


#355 Medicine Black-on-Red Mini Pitcher

For a replicator, much of the time is spent testing materials.  This new paint, which I call "PBJ"  (yep - peanut butter and jelly), does not make a black in the oxidizing atmosphere but a nice deep red.  Should work well on Abajo Red-on-Orange.  A pretty little piece that represents one more step in my travels.   3.25" x 3.5"



#356 Bluff Black-on-Orange Jar, 750-925 A.D.

Reference: Edge of the Cedars State Park Museum, Blanding, Utah


With my tendencies of perfectionism, it's hard to not make everything orderly and uniform.  But as a replicator, my job is to pass the information on as is.  Notice the broad strokes made with one swipe of a wide yucca brush, haphazardly fitting into the space allowed. The color of this early Pueblo II jar is fantastic and a close match, as is the body clay which is more of a yellow than a orange. Jar includes hand made yucca cordage, tied into the lug style handles, just like the original shown in the last photo.     8" tall x 8.25" wide  


Courtesy of Edge of the Cedars State Park Museum, Blanding Utah


#357 Bluff Black-on-Orange Bowl, 750-925 A.D.

Reference: Boulder Colorado University Museum  

A creature, lizard or toad or maybe something else, reaches up and out, looking you right in the face. What is the message it wants to tell?  The inside of bowl is slightly slipped, while the outside shows the color of the body clay in an unpolished state, just like the original. A tiny spot on the rim bumped against the sandstone in the kiln, producing a chip that has been repaired and made unnoticable.     7.5" x 3.5"



#358 - Miniature Jar inspired by #356

Discussion of miniatures, including who made them and why, show up in nearly every museum.  Are they made by children in play or learning the trade? Are they alter pieces used in ceremonies? Or the last bits of a projects clay, inspiring the artist to have some fun?  Mine is the latter. Quite similar to the larger jar including handmade yucca cordage.  

4.25" x 3.5"    $100


Bluff Black-on-Orange Ceremonial Bowl

#360 Top photos - more orange, slightly larger and has a hair line 1/2" rim crack in the reduced yellow area. Not filled.

7" x 3.25"    $250

#361 Bottom photos - more yellow tones and slightly smaller

6.75" x 2.75" $250

This form, referred to as a double bowl or helmet bowl, is very rare in the Four Corners area.  In fact previous to discovering this piece, I only knew of one from Pueblo Bonito and it is Black-on-White.   The woman (with her hair bobs prominently painted) displays an action that is open for interpretation. Is she dancing, is she crippled, or is she in labor?  As told to me from someone informed with native customs, the bowl was probably used by filling with herbs, in a ceremonial setting. 


Thank you to the caretaker of the original of this piece, for allowing me to replicate and share this magnificent bowl with the world. And to the weird moment of realization that happened on the porch.  


#362 Bluff Black-on-Orange Feather Box, 750-925 A.D.

Reference: Denver Museum of Nature and Science  

Feather boxes, a rare form which originally appeared in wood, are one of my favorite forms. All but one (a Black-on-White in the Mesa Verde museum) are red.  This box allowed me to test a new mineral found this spring that appeared to be a manganese matrix.  Gladly it made a shadowy black and has added to my journey.


For our dear new friends from the "Ranch"  :)


#363 Abajo Red-on-Orange Bowl, 700-850 A.D.

Reference: Peabody Museum, Site 13, Storage room 297 with 23 other bowls

Everything is great about this bowl, the swirling star pattern, the unslipped and nicely matched body clay, the blurry burnishing that smudged the paint... but what happened to the nearly pure hematite paint that decided to not turn red? (It turned red on the outside!!!) Always happy to have something to learn.  Back to the drawing board.    3.5" x 8"



#364 Deadmans Black-on-Red Seed Jar, 900-1050 A.D.   

Reference: Colorado History Museum, Denver Colorado

Precious jars to hold the seeds of next years planting.  The bold black deisgn is random with extra steps of dissimilar size.  The shoulder is nearly a ninety degree turn, testing the plasticity of the body clay.  Beautiful red with nice shine.    6.75" x   3.75"



#366 - Deadman Black-on-Red Ladle     Reference: Grand Canyon Museum, Arizona 900-1050 A.D.

The original consists of only the bowl portion. The handle had been broken off and ground smooth.  Here also (see#351) the design layout is made up of the two bisecting lines, that are so common to this type.  Many Deadman sherds in southeast Utah have a purple tinge to the paint.  Never thought I would find the right mineral matrix!  Looks beautiful on the Brushy Basin slip as does the cottonwood bark twine in the hole at the tip of the handle. There is a slight separation of the clay in the bowl where the handle was joined. A product of drying separation in the making process. Has no effect on the strength and is a testament to a handmade wild clay piece. Nice large ladle.

 5.25" x 13" x 2.5"       $300


#367 Deadman Black-on-Red Ladle, 900-1050 A.D.

Reference: Edge of the Cedars Museum, Blanding, Utah

Another beautiful ladle from the period, same basic design just simpler with an extremely fine handle. Happy it made it through the fire.  The paint is the same as #366 but the slip is from the Moenkopi formation, making it a bit brighter.  Ladles are rare for the Deadman type.  Lucky to have found two. 

4.75" x 12.25" x 2"        $250


Courtesy of Edge of the Cedars State Park Museum, Blanding Utah

#368  Bluff Black-on-Orange Effigy Handle Pitcher    Reference: Edge of the Cedars State Park Museum, Blanding, Utah

The only Redware jar of the period and area (that I have seen) that has an animal form handle, Just as exceptional is the ground disk shape turquoise eyes. Maybe it's a dog (similar to the Black-on-White jars found in Northeast Arizona) or maybe a bighorn.  I did not have the exact measurements on the original.  Mine is slightly larger, more squat and my black paint is a little warmer and translucent.  But I feel privileged to have journeyed with the original artist for a bit.  And yes the replicated eyes are turquoise, ground by me. 

7.75" wide  x 8.5" tall      $600


#370 - Medicine Black-on-Red Ladle  

Reference: Denver Museum of Nature and Science

The collections information states that the original was found in "Montezuma Cty, Colo".  Sad how so much of the provenience has been lost and we have no idea to the exact site.  Simple bold lines, accent the eye shape in the bowl's interior.   4.5" x 10"  




Mesa Verde Bowl

#324  Mesa Verde Bowl

Reference: Online Photo from a early Smithsonian collection, Mesa Verde.  What a design of celestial orbs, flowers or eyes?  Rim flatness and ticking set the Period. Beautifully fired with a couple exterior fire clouds.  Kiln was hot enough to warp it out of round a bit.  3" x 6.75" 


SOLD ($250)

Mesa Verde National Park Replication Bowl

#326  Mesa Verde Bowl

Reference: Mesa Verde National Parks Museum

Tumbling triangles, bold and simple, make a statement both in positive and negative space.  Super whites. Black paint was just starting to burn off as the kiln was smothered with dirt. 

4.5" x 10.25"

SOLD ($400)

Southwest Black-on-White pottery replication

#336a  McVerdian Black-on-White Bowl

Reference: A sherd in Southeast Utah

Had to design this complete layout, staying true to the time period, off a couple of square inches. Sometimes it's just ends perfect.   4" x 9.5"


Keeping this one for myself for now.  But after I love on it awhile, may let it go.  Message me ;)

Anasazi Pottery

#338 Walnut Black-on-White Large Bowl

Reference: Pacific Grove Museum of Natural History

What makes this piece special is the design!  Black carbon paint has begun to lighten from the super hot kiln.  The white slip, which shrank more than the body clay in the drying process, has "crazed" (zoom in). I intentionally left the outside rustic and rough.  No cracks and rings like a bell.  4.25” x 10”


 SOLD ($375)

Edge of the Cedars State Park Museum Replication
White Mesa Back-on-White

#225 White Mesa Black-on-White Bowl

Reference:  Edge of the Cedars State Park Museum 

Always mesmerized by the stunning simplicity of this early style pottery.  Plus this piece fired beautifully. 

4" x 10" 

Private Collection

Mesa Verde Bowl
Earl Morris La Plata Bowl

#275  Pueblo III, Mesa Verde Bowl          Reference: Earl Morris, Site 41, La Plata Valley

What drew me to this bowl was not the perfectly placed black triangles BUT the white framing lines that set each one off.  Site 41 was a special place producing exceptional pottery.   A very fine, 1" rim crack appeared after the firing.  It has been repaired, unnoticeable and does not affect the integrity of the piece.      3" x 8"


Mesa Verde Museum
Mesa Verde Museum

#287  Pueblo II Bowl

Reference: On display at the Mesa Verde Park Museum

It was a tedious day painting these 38 ducks, simply because each one is so unique.  I was determined to replicate them exactly (Not my job to tell the story but simply to pass it on)  

And then I fell in love with them all.  Hate to sell this one.  It fired beautifully. Nice size with super blacks.

3.75" x 9.75"



Knobby Knee Site

#288  McElmo "Knobby Knee" Bowl

Reference: Anasazi Heritage Center 

Figures, both human and animal, give a quick glimpse into past thoughts of what was important, what was sacred and spiritual.  This bowl was recovered at the Knobby Knee Stockade in Southwest Colorado.  Absolutely a fine replication.  3" x 7.25" 


Sold to the most deserving person, Moki John!

Mesa Verde Replication
Black-on-White Bowl

#290  Mesa Verde Bowl

Reference: Online photos, from the Mesa Verde area.

Such a treat when a large bowl turns out just like you want; a nice ring when thumped, clean whites and solid dark blacks.  I am treating myself.  This one's a keeper.

4.5" x 11"  




#246 Mesa Verde Bowl  

Reference: Mesa Verde National Parks Museum  

Notice that the stepped cloud pattern on the inside rim is not symmetrical.  If intentional, why?  Bird motif is iconic to the area and shows up occasionally on pottery.  Bowl is slightly smaller than the original.  Cleanly fired.  Beautiful Blacks and Whites.

4" x 8.5”  



Aztec New Mexico Morris Collection Black-on-White Bowl

#111 Mesa Verde Black-on-White Bowl

Reference: Aztec Ruin, Aztec, New Mexico.  Original excavated by Earl Morris.

Large bowl, very nice.  Whites are clean.  Slight burn out/lightening of the blacks.  Well made and one of my favorites.  5.25" x 11"  



Mancos Black-On-White Ladle

#337 Pueblo II Ladle

Reference: Bowl portion of authentic ladle

Mineral paint, more common in earlier periods, has its own set of challenges. You want it to apply evenly, you want it to stick to the slip and you want it to turn black in the trench kiln atmosphere. Trial and error and success. The handle's three perforations keep it from exploding during firing process.  Very white slip, has shadows of the underlying clay showing in places.  To me replication means letting the materials be wild and applied in a primitive fashion.

4.25" bowl width x 11.25" long



Mesa Verde Ladle
Mesa Verde ladle

#330 Pueblo II, Rattle Handle Ladle

Reference: Bowl portion of authentic ladle

Beads of clay rattle in the hollow handle of this large ladle.  The six topside perforations keep the handle from exploding during the firing process. The terraced steps in a modified scroll pattern appears in both the bowl and the handle. Ladles are tough to fire due to the small connection of clay between the bowl and handle.  Got lucky, this one is perfect.

5.25" bowl width x 14" long


 (Sold) $350

Rattle Handle Ladle
Southwest Pottery Replication

#328 Mesa Verde Rattle Handle Ladle

Reference: commission from authentic ladle bowl portion

Beads of clay rattle in this hollow handle which also has horns of clay on the end.  Maybe used for hooking on the edge of a pot. The handle's three perforations keep it from exploding during firing process. Classic banded Mesa Verde design. Ladles are tough to fire due to the small connection of clay between the bowl and handle.  This one is perfect and nearly a twin to #327

4.75" bowl width x 12.5" long



Mesa Verde Rattle Ladle

#327 Mesa Verde Rattle Handle Ladle

Beads of clay rattle in this hollow handle which also has a loop of clay on the end.  The handle's four perforations keep it from exploding during firing process. Classic banded Mesa Verde design. Ladles are tough to fire due to the small connection of clay between the bowl and handle.  This one is perfect.

4.75" bowl width x 12.5" long


 SOLD ($350)

Cedar Mesa Replicated Ladle

#332  Ladder Handle Ladle

Reference: Sherd in Southeast Utah

Other than the portion of the one we found, only know of one other.  Such a unique handle.  Mineral for paint and white slip both harvested within walking distance of the sherd. Well fired and rings like a bell.

1.75" x 8"



Anasazi pottery
Southewest Pottery

#335 Gourd Scoop

Reference: Early 1900's photo. No provenience

This form is rare overall but most commonly seen in the early Pueblo periods.  My personal found mineral paint is loosely applied.  Whites are stunning and opaque with slight shadows of the underlying clay. High fired.  2.25" x 7" wide


SOLD ($150)

Black-on-White Ladle

#278 Flat Ladle     Reference: Online photo.  Provenience unknown

Love the "hairy lizard" and while painting the bowl interior, it occured to me that this pattern probably represented dried cob corn.  I suspect this lizard was always in the corn stash and so the story is told.  Some interesting coloration.  Strong and well fired.   

4.5"wide x 9" long


#218  Pitcher with Black on White Geometric Design, 900-1300.

Reference: Brooklyn Museum, New York

Absolutely a beauty, both the original and the replication.  Perfectly fired.  The slip is unctuous and smooth.  The blacks are strong on one side and start to "ghost" (get lighter from the extreme kiln heat) on the other.  8.5" tall x 7" diameter.


SOLD - ($500)

Edge of the Cedars Mineral Replication
Pueblo II Mineral Pitcher
Mineral Pitcher

#256 Chaco Style Pitcher

Reference: Edge of the Cedars State Park Museum 

Such creative design work. The lizard is fantastic BUT a corn maiden butterfly too!  And like the mug below, one of my early experiments with reducing mineral paint to black.  Still some things to learn from this one, but stay posted as it will become available at a later date.   5” x 4.5”


Colorado Plateau Pottery
Mesa Verde Pitcher

#291 Mesa Verde Pitcher

Reference: Artist Inspired 

Black-on-White!  Enough said.  How I dream they will all turn out. Exceptional long bowed handle going from the rim to the base versus the more common rim to lower neck.  Well fired and beautiful.

5.75” tall  x 5.5” wide with handle


  SOLD ($325)

Chaco pitcher

#184 Chaco Black-on-White Pitcher 

The original was taken from Room 326, Pueblo Bonito, and appears in N. M. Judd's papers. A fantastic design that screams Chaco Canyon. Rings like a bell and truly Black-on-White.  Undoubtably one of the best pieces I have ever made.  5.25" x "6.5" including handle.


SOLD ($400)

Chaco jar cylinder jar

#280 Chaco Jar

Reference: Pueblo Bonito

The tall tubular shape, smooth surface, and four strap type handles, make this a special jar.

Less than 200 have ever been found, some with a chocolate chemical signature inside.  

4.5" x 9.75"

SOLD ($400)

Chaco Jar
Chaco cylinder jar

#282  Chaco Jar

Reference: Pueblo Bonito

Of the nearly 200 hundred Chaco jars known, the average size is 4.25" x 9.5".   This one, just slightly smaller, has strap handles that set a bit lower, nearly mid point.  Some slight smudging on the side that faced down in the kiln.  Structurally sound.

3.75" x 8.75"


Southwest Chaco Jar

#292  Chaco Jar

Reference: Pueblo Bonito

This jar is fired to perfection.  Beautiful fine line hatching fills the triangular design blocks.

4" x 10"

SOLD ($500)

Chaco canyon jar replica
Chaco cylinder jar Pueblo Bonito

#293  Chaco Jar

Reference: Pueblo Bonito

How the design migrates around the jar but still continues to interlock perfectly makes one realize the capability of the master artists of the ancient world. This jar is slightly grey and sadly developed a fine line crack about 1" long coming down from the rim during firing.  It has been repaired and nearly invisible.  A really pretty jar.

4.5" x 10.75"


#206  Mesa Verde Mug, PIII

Reference: Edge of the Cedars State Park Museum, Blanding, Utah

Replication.  Fascinating that the original artist started on one side of the handle with a grid of 132 squares and ended on the other side with only 49. It's possible that we share the trait of beginning a project with elaborated expectations.  3.75" x 5.75" with handle


SOLD ($400) 

Mesa Verde mug

#125  Mesa Verde Mug

Reference:  Edge of the Cedars State Park Museum, Blanding, Utah

Even thought this mug is not an actual replication, it was still made in an authentic manner.  Fired by the masters at the Southwest Kiln Conference, Safford, Arizona.  Excellent piece.  3.75" x4.5" with handle



Mesa Verde Mug
Ancestral Puebloan Pottery

#250 Mesa Verde Mug

Reference:  Mesa Verde Museum

A stunning design covers every square inch of this mug as well as an interesting cut out in the handle.  A large and beautifully fired mug.

4.25" tall x 6" wide with handle


SOLD  ($300)

#207  PII Black-on-White Mug

Reference: Edge of the Cedars State Park Museum, Blanding, Utah

This design just speaks to me.  Reminds me of birds flying... migration? north or south?  I replicated it to the dot sequence on the handle. I feel it is my responsibility to not judge or try to understand the intention of the artist, but simply to pass it on.  For the time being... I am keeping this one.  But could make you one just like it.



#216  Large Mesa Verde Mug

Reference:  Photo in the Salt Lake Tribune, original piece from Four Corners area

Think of the time and dedication it took not only to lay out this design but to paint it as well.  Luckily the firing gods were happy and cleaned up all the little tiny specks of white.  Quite an accomplishment in an open air trench firing.  5.75" tall x 6" wide with handle


 SOLD ($450)

#215  Mesa Verde Effigy Mug

Reference:  Photo in the Salt Lake Tribune, original piece from S.E. Utah

This little mug, maybe for a child, is so much more than special with a four legged animal standing on the handle. Perfectly fired.   3" x  4.5" with handle 


SOLD ($250) 

#214 Mesa Verde Canteen, PIII

Reference: Anasazi Heritage Center, Dolores, Colo., Chappell Collection  Both the original and the replication are of the best quality.  Only one tiny fire cloud near one handle. Easily one of my bests pieces to date.

5" x 6"



Black-on White Canteen Reroduction

#113 McElmo Black-on-White Canteen

Replication: Aztec Ruin, Aztec, New Mexico

Nice grapefruit sized shape. Warm oxidized tones around rim. Original found while digging a ditch near the ruin. Dated 1100 -1400 A.D.  4.25" x 4.5"


SOLD ($285)

#104 McElmo Black-on-White Canteen

Replication: Edge of the Cedars, Blanding, Utah 

Heavily oxidized on the top causing brilliant orange and warm tones. Structurally sound. 

5.5" x 6"  


Personal Collection

#222  Olla

This is not an exact replication as it is slightly smaller than the original but painted the same. It was found in the Aztec West Ruin by Earl Morris in the "refuse above room 138." 

9.5" x 12" including handles



Tusayan Bird Effigy
Ancient Arts

#340  Tusayan Bird Vessel

Reference: Papers of the Peabody Museum No.38, 7615-S, Room 303

The form and painted design put this piece in a class of its own.  Head form resembles a turkey.  Even the stylized wings bring to mind the T-shape symbolism of the time.

3.5" x 4.5"


SOLD ($250)

Ancestral Puebloan Black-on-White Bird
Southwest Pottery Repliation

#344  Tusayan Bird Vessel

Reference: Papers of the Peabody Museum No.38

Fragments of several birds were found.  This one complies some of those bits. Amazingly fired showing off this beautiful white slip from northeast Arizona.  3" x 5.5"


SOLD  ($225)

Colorado History Museum
Organic Paint

#283 McElmo Effigy Seed Jar

Reference: Colorado History Museum, on display

Beautifully painted shape with a tiny head and a "feathered" tail.  A special place to store anything of value, especially next years seed crop.  Whites are clean and the piece has a nice sheen.   

3.75" tall x 5.25" wide (not including head and tail)

SOLD ($150)


#165  Red Mesa Black-on-White Bird Effigy


Birds, birds, birds - The ancient world is full of their images on rock and ceramic.  This small effigy bird vessel is painted with ground mineral exactly like the original.  Very detailed and quite unique.  3" x 4.5" x 2.5" 



#220 Mancos B/W Effigy Container


Birds, birds, birds - The ancient world is full of their images on rock and ceramic. Parrots, carried hundreds of miles from southern tropical areas, must have had a great importance.  Incredibly smooth and well balanced replication.  5" x 5.5"


SOLD ($350)

Edge of the Cedars Blanding Utah

#042 Black-on-White Bighorn Effigy

Reference:  Edge of the Cedars State Park Museum, Blanding, Utah

The actual piece was found by a hiker only a few years ago.  It's a pitcher, being completely hollow inside.  Notice the cloven hoof and the little upward curled tail.  When I replicate, I try to get the piece as near to exact size as possible (challenging because both air drying and firing, shrink the piece) and paint it as they did.  Notice that each side is slightly different, one having six "staircases", the other seven.  Also the "staircases" always descend from upper left to lower right, on both sides.  Easier to paint that way IF you are right handed.   2.75" x 6.75" x 8.75"  Pueblo II    


Personal Collection


Black-on-Red Gourd Pitcher

#314 Gourd Pitcher

Gourd inspired ladles and pitchers show up in late Basketmaker as well as early Pueblo periods.  Usually not slipped, this one was my excitement to try out a new found clay. Burnished up super shiny. Love the profile on this piece.

5.5" x 4.25" with handle  


Feather Box
Southwest Pottery Replication

#320 Feather Box

Reference: Denver Museum of Nature and Science

Feather boxes are quite rare.  Only know of a few of which all but one are redwares.  The Denver Museum of Nature and Science list this as Abajo Red-on-Orange.  1.5" x 5.75"  


Anasazi Featherbox

#315 Feather Box

Reference: Online Auction

Tucked in kiva wall niches, left with feathers inside, one has to wonder the value of these tiny round boxes. The auction claims this piece is from the Four Corners area but actual provenience is lost.   

1.5" x 5.5"  


Deadman's Black-on-Red Ladle
Canyon of the Ancients Pottery Replication

#322 Deadman Black-on-Red Ladle

Reference: Canyon of the Ancients Museum, Dolores CO

Only slipped in the interior.  The deep red/orange sets the black mineral paint off stunningly.  I intentionally left the handle and backside a bit gritty because that is how the original is as well.

1.5" x 5.5"  

SOLD ($150)

Edge of the Cedars State Park Museum Replication
Deadman's Black-on-Red


Reference: Edge of the Cedars Museum, Blanding, Utah

The most vibrant slip I have found in southeast Utah, set the background for the rim centered design.  Great when all the searching is rewarded with the best materials around.  3.75" x 5.75"  


Abajo Red-on-Orange Pottery

#317 Abajo Red-on-Orange Bowl

Reference: Canyon of the Ancients Museum

The dark red Corn Maiden, complete with hair whorls and long lizard like legs, completely fills the bottom of this bowl.  Finding this exact body clay was a challenge. Love the direct simpleness of these early redwares. 

3" x 7"  

SOLD ($185)

Alkali Ridge, San Juan County Utah

#323 Abajo Red-on-Orange gourd pitcher

Reference: Alkali Ridge, J.O. Brew excavations, Site 13

Piece is not slipped and has many haphazardly applied zig zags of hematite.  The natural smear of the bright red dust, brings vibrancy to the entire piece.

4" x 5.75"  



Anasazi Corrugated Jar
Mesa Verde Corrugated Cooking Jar

#349  Corrugated Jar

Jar has 66 rows of left thumb "Karrish" pinch.  The fingerprint impressions left on ancient sherds, was the clue I needed to master this pinch.  Perpendicular to the rim with just the slightest hook one way... but not the other.  Love this one, especially it's Mesa Verde egg shape.  

11" tall x 10" wide


SOLD ($550)

Anasazi Pottery

#347  Corrugated Jar

A simple little jar with 22 rows of left thumb "Johns" pinch and the slightest eversion to the rim. Here I learned a new pinch but also played with a new clay.  Got so lucky with the colors.  Soon I will be using this clay in much larger pots. (What a pretty bottom!)

4" tall x 4.75" wide



Ancient Arts
Ancient Arts

#350  Corrugated Jar

Jar has 74 rows of left thumb "Karrish" pinch.  This jar is testament to perseverance and endless observation to authentic sherds and pots.  Notice the three sections of plain rows.  A decorative touch added to the ancient world. Well fired with lovely fire clouds.  Feeling Blessed

11" tall x 10.5" wide


SOLD ($600)

Corrugated Mug
Southwest Corrugation

#345  Corrugated Mug

A little rustic mug with iron influenced gold tones and carbon clouds.  The fire sure signed the bottom of this one.  Makes the clockwise spin of the spiral even more pronounced.  Mug has 23 rows of right thumb pinch.

3.5" tall x 5.25" wide with handle



Anasazi Corrugated Pitcher
Anasazi Corrugated Bottom

#333  Corrugated Pitcher/Mug   

This piece has 24 rows of left thumb "High Wave" pinch, producing a spiral effect that runs up to the rim. This Southeast Utah clay has just the right amount of natural grit for corrugation. 

4.5" tall x 5.5" wide with handle.



CLC Studios
Primitive pottery

#348  Corrugated Jar

Wow - smoke clouds!!  Has 49 rows of left thumb "Domino" pinch.  The pinch is named for a ruin in Upper Grand Gulch and a spiritual experience I had there.  "Domino" gets me through when clay pinches go awry.  This jar developed a small fine line crack in the base during the firing, which has been filled and tinted.  Look closely, you MIGHT be able to find it.

8.5" tall x 7.5" wide


SOLD  ($300)

Primitive pottery
Southwest Corrugated

#339  Corrugated Jar

41 rows.  This pot represents the learning of the "Karrish" pinch (See big jars above.) Thankful for the shoulders of experience this pot gave to it's descendants. An added plus, it's soundly fired and beautifully marked.  This ones the website deal.
7.25" tall x 6" wide



Effigy Mug
Corrugated bottom

#334  Effigy Handle Corrugated Mug

This mug with an animal perched on the side, peaking over the rim (hmmm... what animal is it?) was found near the Arizona/Utah line. Subtle warms and cool tones of the fired clay, lets the effigy have the spotlight.  Has 22 rows of "High Wave" pinch.  

4" tall x 5" wide with handle


Sold ($150)

Corrugated replica

#312  Small Corrugated Jar

Jar has 26 rows of right thumb "High Wave" pinch!  This jars is similar to #308 & #311 but gave the pinch my own personal twist.  Finally I can do this... seeing the wave.

4.5" tall x 4" wide



Corrugated Mug
Slipped Corragation Mug

#233  Corrugated Mug

Corrugation, most commonly used in cooking jars, also appears in unique forms such as bowls and mugs which occasionally have a coating of white slip. 15 rows of pinching.  Structurally sound and rustic.  Artist Inspired

3" x 4.5" with handle



#197  Corrugated Mug

Reference: Earl Morris Memorial Collection, Museum of Natural History, Boulder, Colorado

Corrugation, most commonly used in cooking jars, sometimes appears in unique forms such as bowls and mugs.  This piece was intentionally smudged, making it look as though it had been used.  3.5" x 4.5" with handle


SOLD ($100)

Lino Grayware

#160 Lino Grey Double Pitcher, PI 550 A.D.

The actual piece popped up on Ebay.  Such a one of a kind vessel.  I replicated it to the inch and curve.  In my interpretation, the two vessels  onbecome one in the bottom area.  Now if we only new what it might have been used for.  3" x 5"


Personal Collection

Plains Pottery

Plains Woodland Pottery
Cord Impressed Replication Pottery

#244  Plains Woodland Jar

Inspiration: Early Ceramic Period sherds from Eastern Colorado

Conical bottom with slight incurving rim.  Right leaning cord impression. Fired with willow, cottonwood bark and chips.  No cracks!  Man the fire gods painted up some magic on this one!

 10" x 13"   



 Magic Mountain Woodland Pottery
Golden History Museum

#240 Plains Woodland Jar

Inspiration: Early Ceramic Period sherds from Eastern Colorado

Conical bottom with straight walls.  Cord impressed.    

9" x 13.5"   


SOLD - On display, along with authentic artifacts from the Magic Mountain Site, at the Golden History Museum, Golden, Colorado

#242  Transitional Period Cooking Jar

Between the Early and Middle Ceramic Period on the Plains, approximately 1000 A.D., a somewhat transitional pot appears with a much smaller, receding conical bottom and a more pronounced incurving rim.  Left leaning cord impression.  Beautiful coloration.

8.25" x 8.75"


($150)  SOLD

Early Cermaic Plains Woodland

# 200  Early Ceramic Plains Woodland

This piece, made completely authentically on the Plains of Eastern Colorado, was featured in my Youtube video (see link on the "Home" page of this website.)  Fired to the right temperature, in the right atmosphere, producing the right color and no cracks!!!  The best of my Plains Woodland jars so far.  

10" x 15"


Personal Collection 

Ft. Morgan Museum

#146 Classic Plains Woodland Jar

Inspiration: Early Ceramic Period sherds as well as the 12" section of a conical bottom in the Ft. Morgan Museum collections.  Conical bottom, straight walls and cord impressed.  This is a BIG BIG pot which matches the dimensions of the original. Over a thousand years ago this would have existed on the prairie.  Amazing. The firing gods painted this one real pretty as well.    

12.5" x  19.5"   


SOLD - On display at the Ft. Morgan Museum, Ft. Morgan , Colorado

#051 Late Transitional Plains Woodland Inspired.

Inspiration: Transitional pots between Plains Woodland and Upper Republican period,

1100 A.D.  Heavy bodied cooking pot with somewhat conical rounded bottom.  Cord impressed.  10" x 11"  



#045 Upper Republican Phase Pot

Inspiration:  Carlson Chimney Canyon vessel,  Middle Ceramic Period,  Early Plains Village tradition.  900-1450 A.D.  Cord impressed. Beautiful smoke clouds.  Fired with chips and grass. No signature.  7.5" x 8"  



Upper Republican Eastern Colorado Logan County Reproduction

#105  Upper Republican Cooking Pot

Replication: Donovan-Hobbs-Lewis Canyon vessel, Sterling, CO., Middle Ceramic Period, 990-1260 A.D.  Cord impressed, rounded bottom, collard rim with four horizontal incised line designs.  Oxidized with smoke clouds.  Nice pot representing a slightly more sedentary plains people.  7.5" x 8.5"       



Plains Woodland Early Ceramic Jar

#082 Early Ceramic, Plains Woodland Vessel

Inspired by multitudes of sherds and the base portion of a similar vessel at the Ft.Morgan Museum, CO. Strong conical bottom, straight walls, and no shoulders.  Cord impressed and low fired in a limited oxidation atmosphere. As far as I know, there are only "pieces" of this particular type of vessel from the Plains. The ratio of height to width was determined using existing reference jars from the same culture/time period, found in Western Nebraska and Kansas, determining the overall size. 

This substantially large jar was possibly used for cooking the marrow from the long bones of Bison as well as rendering visceral fat.  The pointed bottom helps the pot stand upright when pressed into a bed of coals, cord impressions keep the outside surface of the pot cooler to touch and possibly help the clay walls to withstand the temperature variations of open fire cooking.  All of which is the artist's opinion. :)



11.5" x 17.5"    -   Personal Collection